Philharmonic takes audience on grand tour

Think of it as a calm before the hectic holiday storms.

The Las Vegas Philharmonic, under the direction of David Itkin and with guest violinist Rachel Barton Pine, offered an upbeat, evocative program Saturday evening that included a tranquil Aaron Copland suite and a rich Robert Schumann symphony

Itkin explained that "Appalachian Spring" began as collaboration between Copland and choreographer Martha Graham, and the orchestra brought light, life and enough vibrancy for audience members to imagine joyous dance.

Pine, a Chicago native who appeared with the Chicago Symphony at age 10, was in control of Alexander Glazunov's "Violin Concerto in A minor, Op. 82" from the first low, languorous note. It is glowing and adamant, more contained than bombastic, calling for skills Pine demonstrated with ease.

Sometimes solo, sometimes with the orchestra behind her, Pine flashed through the three movements (performed without pause), her auburn hair clasped back but gracefully flying when her bow accelerated. Pizzicato and strumming motions came and went before a quick-paced finale.

As an encore, Pine dazzled with Nicolo Paganini's "Caprice No. 24 in A minor." "Oooh, this is going to be good," someone in the crowd whispered , and it was.

After intermission, Itkin and the orchestra returned with Schumann's vibrant "Symphony No. 3 in E-flat major, Op. 97."

Itkin called this is one of his favorite works, and its rich overlays of power and delight, excitement and admiration are feelings familiar to a visitor discovering a new and wonderful place.

The orchestra brought forth the emotion in its tempo and tone, understanding the nuances of the work and ultimately giving the armchair travelers a taste of a grand tour.