Most people know a nice car when they see one, but “gearheads” work on a different level.
Arts & Culture
The newly formed First Friday Foundation recently took over the monthly arts event, with board members holding their inaugural meeting July 1.
Day two of Comic-Con was filled with fan-favorite properties from the very first panel in the morning with “The Big Bang Theory” until the sun set in San Diego, as “Star Wars” took over downtown.
Five enchanting Southern belles stuck in a 1980s sitcom are transported to the present day through the magic of reality television in “Re-Designing Women,” a drag parody now at the Onyx Theatre.
For 25 years, Eleanor Bergstein refused to allow theatrical productions of “Dirty Dancing.” “I thought the movie stood on its own.” Now there are seven touring companies, including the one bringing the show to The Smith Center.
Deadpan comedian finds new outlet for his surreal view of life with TV’s “Louie.”
Comedian often cited as the most-downloaded podcaster returns for four Mangria-soaked shows in two days.
This Broadway musical remains a perennial audience favorite. Strong voices and exciting dancing make it a good choice for a picnic under the stars at Spring Mountain Ranch State Park.
As construction on two new theaters continues apace, Shakespeare — and more — come to life at the 54th annual Utah Shakespeare Festival in Cedar City.
A pity William Shakespeare missed Antonio Saliericq by a couple of centuries. But considering what playwright Peter Shaffer achieves in “Amadeus,” we’re not missing much. The Utah Shakespeare Festival’s current production of “Amadeus” doesn’t miss much either.
Man plans — and God laughs. Presumably, William Shakespeare never heard this Yiddish proverb. But, as “King Lear” demonstrates, Shakespeare definitely grasps its meaning.
The Utah Shakespeare Festival’s production of the Rodgers and Hammerstein favorite shows its age — and its ageless spark.
USF’s latest “Taming of the Shrew” adds an undercurrent of genuine, love-in-bloom emotion to Shakespeare’s knockabout, battle-of-the-sexes comedy.
It’s a sequel, not an equal. But “Henry IV, Part Two” is still Shakespeare, exploring fascinating questions of identity and destiny facing the title monarch and his son.
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