A lot of the decadent, superficial elements that make Las Vegas such a wicked success get harnessed for the powers of good when the city parties for a cause.
Mike Weatherford
The good news: The ABC diving contest “Splash” may be the biggest boost for Louie Anderson’s career in a long time.
Cee Lo, if you were on my team as a TV talent-show contestant and I was your coach, I’d have some advice for you. And it starts with this:
It took James Bond, or at least two of his songs, to set the ship right at the Oscars, a reminder that the secret agent’s 50-year reach extends well into Las Vegas.
We’ll talk Motown in a bit, but the real story of Human Nature this time is about reinvestment.
“It’s so funny,” says John Payne. “All these guys, because we play in original bands, none of us have ever played covers before.”
What do “Le Reve,” “Jubilee!” and the Stratosphere’s upcoming “Pin Up” have in common?
Two kinds of history lessons are at work in “Million Dollar Quartet.” One for those who never knew, and the other for those who maybe forgot.
Anthony Jeselnik makes his debut as a Las Vegas headliner on Saturday, four days after “The Jeselnik Offensive” launched on Comedy Central.
Matt Lewis is shedding his Elvis jumpsuit to work the really sweaty side of the stage, attempting a jump from performer to producer.
TV sitcoms may have never found a place for Carrot Top, but they at least caught up to his pace.
The Who’s new staging of “Quadrophenia” is full of deliberate “then and now” comparisons, but Las Vegas got an extra one Friday night.
Tropicana Las Vegas President Alex Yemenidjian says he was “not proud” of his hotel’s vintage showroom, which perhaps had a subconscious effect on how it underperformed in recent years.
