The reboot of his Luxor show brings allegations from other magicians and the bigger question of why the new material isn’t more groundbreaking.
Mike Weatherford
Base Entertainment repeats past mistakes in letting a show’s overhead get beyond realistic sales expectations.
What’s the difference between Garth Brooks and the Rolling Stones? Start your own office punch-line contest, but here’s one answer: Five shows and $665.
No one gets rich, but “Country Superstars” and “Evil Dead” musical find fans and brand recognition in the shadow of the big shows.
A congressional resolution would acknowledge magic as an art form, but Criss Angel calls it self-promotion for a rival.
“Hamilton” should keep Strip properties interested, but The Smith Center has become an effective host for most Broadway musicals.
The annual fundraiser for AIDS relief had to evolve with Las Vegas’ show community.
Post-“Mike & Molly,” the comedian heads to Memphis to play Elvis’ manager in an upcoming TV miniseries.
The Strip resort’s second floor is getting crowded with “Crazy Girls,” comics and magicians.
Actor considers next year’s live show the second sequel to a cottage industry spawned by his brief career as a male stripper. In fact, he says he might dance in the show himself, if he gets in shape.
Cindy Williams of “Laverne and Shirley” fame will guest star in “Menopause The Musical” after the comedy club moves out later this month.
New show from Chippendales creators blends female burlesque with male revue, but the venue is the third component.
As a child star, Brenda Lee had a head start on a rare milestone: 60 years of Las Vegas performing. It’s a feat worth celebrating, as long as more performers don’t overstay their welcome.
Janis McKay follows the musicians who backed the stars in “Played Out on the Strip.”
Both Human Nature and Frankie Moreno return with more elaborate productions helmed by theatrical veterans.
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