Sex appeal is highly subjective and personal, so interpret this as you will:
Mike Weatherford
The voice is familiar. The music? Not always.
Anita Mann was in for a surprise when she saw the first preview of “Viva Elvis.”
Most people don’t know him as anyone but George. And now he wants us to call him Donny?
Most entertainers crave your affection. The Amazing Johnathan flips you off. More than once.
Carlos Santana isn’t even moved in yet — he’s still just house-hunting in Las Vegas — but already proving a model citizen.
Last Sunday’s column noted the long dry spell awaiting Las Vegas entertainment: Forget about big-buck investments in splashy new shows. This week, it’s only fair to note the flip side: Being broke doesn’t mean you can’t still be creative.
Sometimes, the problem with a good idea is that it’s so good, everyone else has it, too. Then it’s all about who can make it work.
The Sahara is set to consolidate its two showrooms into one on March 1. The only real surprise in the move might be why it didn’t happen sooner.
A lot of people are hoping Cirque du Soleil’s “Viva Elvis” will be good for a lot of reasons.
The “V” does stand for variety. In a given day at the V Theater, you can throw it down at an Italian-American wedding or relive the Beatles and Motown.
After weeks of writing about shows and theater closings, it’s refreshing to have a column’s worth of, well, if not new construction, at least some encouraging activity to refurbish ballrooms, old lounges and showrooms.
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