The Diceman won’t bake cupcakes, but he will do his stand-up act in a sushi restaurant.
Mike Weatherford
Last summer’s season of “America’s Got Talent” became a two-way street for Las Vegas entertainment.
The day may be fast approaching when every single person who wants to be on reality TV will have the chance. Until then, there’s still "Tony n’ Tina’s Wedding."
Twilight" movie star Ashley Greene came with her birthday-partying friends. The man who was losing his fight with cancer brought his family. Everyone is invited to this low-rent wedding bash, though once, the flying chairs and fisticuffs were generated by audience members and not the actors.
Elvis is back in a new building, and arriving in style means making room for two prop Lear jets backstage.
Anyone who may have spotted acclaimed director Julie Taymor exploring Las Vegas theaters a year or so back probably figures now it related to “The Lion King.”
If you were holding off on seeing Danny Gans until he moved across the street to Encore, good call.
Las Vegas may never shed its reputation as a guy’s party town where women are commodified — but well-paid — dancin’ dolls in cabaret shows, strip clubs and nightclubs.
When it gets tougher to sell a show ticket during an economic nose dive, what are two sure-fire genres that still pack ’em in?
In 1983, believe it or not, Elvis wasn’t everywhere in Las Vegas. But for 26 years, there has been one sure and steady place to find him: the glory-glory-hallelujah, flag-waving finale of "Legends in Concert."
“Bite” replaced its lord vampire, but the former one will “Ignite” the Greek Isles with a new revue.
The billboards promise Terry Fator and "His Cast of Thousands." That’s cheeky Vegas hyperbole, but there is no doubt that without his puppets — maybe not thousands, but easily a dozen — Fator never would have drawn the "America’s Got Talent" attention that led to fame and fortune on the Strip.
Scott Weston was as surprised as anyone when “An Evening at La Cage” abruptly closed on Monday night.
