As an avid skydiver, Matt Jaskol is used to jumping out of perfectly good airplanes.
Christopher Lawrence
Christopher Lawrence is the movie critic for the Las Vegas Review-Journal.
clawrence@reviewjournal.com … @life_onthecouch on Twitter. 702-380-4567
Few things will break you out of a rut and get your mind right faster than having a friend you haven’t seen in 30 years show up in your yard, unannounced, without wearing any pants.
Kayla Day is a baffling ball of hormones, anger and self-doubt.
Of the roughly bajillion-and-seven scripted series that debuted last year, I can’t recall a bigger surprise than “The Sinner.”
If there’s one thing I could say to Tom Cruise, it would be this: CGI.
Think of it as “Justice League,” only with flatulence, poop jokes and rapping.
Terry O’Quinn portrays a man who solely and steadfastly believes in the seemingly impossible in a series produced by J.J. Abrams. Also, there’s a mysterious hatch.
There’s more than a hint of resignation in the title. It practically sounds like a sigh.
It’s hard to imagine there wasn’t some sort of blackmail in play. Or, at the very least, a seriously compromising video or two.
“Skyscraper,” Dwayne Johnson’s hostages-in-a-high-rise action spectacle, owes an obvious debt to “Die Hard.”
You’re going to want to have friends or loved ones nearby. You might even consider adopting an emotional support duck.
HBO still has “Game of Thrones,” one of the biggest shows on TV. But lately, the premium channel has made the most noise by thinking small.
On July 15, 1988, Bruce Willis burst onto movie screens as John McClane, the lone hero trying mightily to save his wife from inside a tall building, in “Die Hard.”
“I’ve said it before, and I’ll say it again, ‘If you don’t get Jerry Lewis, you don’t understand comedy.’ ”
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